剧情纵览
在潮湿、静谧的山城烟火里,“街娃儿”东子(李九霄 饰)艰难谋生。日子在流血和受伤间慢慢熬过,可东子毕竟有两份难以割舍的寄托:一份是对固执的父亲的照顾,一份是对纹身店老板九儿(黄米依 饰)的朦胧感情。东子竭力在世事繁杂中活出自己的畅快,但也无法逃开父亲、九儿、希军、四哥等人物造成的爱恨牵缠……
在潮湿、静谧的山城烟火里,“街娃儿”东子(李九霄 饰)艰难谋生。日子在流血和受伤间慢慢熬过,可东子毕竟有两份难以割舍的寄托:一份是对固执的父亲的照顾,一份是对纹身店老板九儿(黄米依 饰)的朦胧感情。东子竭力在世事繁杂中活出自己的畅快,但也无法逃开父亲、九儿、希军、四哥等人物造成的爱恨牵缠……
25年前,高中生任娜美(沈恩京 饰)一家从全罗道搬到汉城,娜美入读真德女子高中,因方言浓重怯于开口的娜美幸运的得到了同班大姐头夏春花(姜索拉 饰)的维护,并与围绕在夏春花周围的执着于双眼皮的金玫瑰、满嘴脏话的黄珍熙、梦想成为作家的徐金玉、要成为韩国小姐的俞福姬以及沉默傲慢的美人郑秀智等五人结识。在一次和不良少女团对决之后,春花和娜美等七人组成了“Sunny”团体……多年以后,家庭主妇娜美在去医院探望母亲时偶然重逢了身患绝症住院的春花,后者希望在生命的最后两个月内,能够再见当年的Sunny成员。娜美找到金玫瑰,两人委托私家侦探寻找当年的同伴,而那些关于青春的回忆,也在一个个熟悉的名姓后面再次被唤醒。
人間と人魚が共存する未来社会を舞台とする本作。船舶を製造する会社で働くサラリーマンのステファンは、ある日突然、人魚王国の姫・チャオに求婚される。ステファンはわけがわからないままチャオと一緒に生活する中で、純粋でまっすぐなチャオに少しずつ惹かれていく。
阿坤(卡文英玛诺泰 饰)是个孤儿,由村里强大的萨满莱穆养大。他受雇驱魔,却偷偷进行黑魔法仪式,想提炼尸油赚钱迎娶心爱的女孩苏伊,没想到这触怒了鬼魂、招致报复。此时苏伊恰巧来找他,究竟阿坤能否以所学和信仰帮助自己和身边的人死里逃生?
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster