赤裸秃鹰

　　傳說龍鳳雙劍合璧，能有無比神力。魔鬼黨首領笑鐵面覬覦桂王手中鳳劍寶劍，桂國陷入危機。諸葛四郎受託挺身而出，竟遭受真平的復仇挑釁，諸葛四郎腹背受敵。困境中英雄勇敢集結，和魔鬼黨展開搶奪寶劍大戰。諸葛四郎與魔鬼黨，到底誰會搶到那支寶劍？※本片可切換國語、台語發音，另有客語發音版

　　他（Method Man 饰）是一个沉默的男子，永远礼帽风衣，沉默地穿梭在这座道德沦丧、破败绝望的城市的大街小巷。死亡每天发生，司空见惯，不知天高地厚的年轻人们呼啸而过，挥霍生命。白天他是市殡仪馆的殡仪师，以娴熟专业且庄重的手法清理残破不堪的尸体，带死者走过最后一程；夜晚则端坐那间被暴怒吵闹的邻居所包围的小屋里，细心制作动物标本，为他们的主人找回最后的安慰。　　某天，一具女性尸体在他死水般的内心世界引起涟漪。尸体上纹有波提切利的名作《维纳斯诞生》，似曾相识的图案勾起了他对往事的回忆。城市的自毁仍在继续，他也无法永保平静……

大二在读的安小河，因高利贷等事遭到“追杀”，30岁画家康梅梅因接到“病危”通知，两人先后“逃”回到恒河边的家乡，与在村里梦想有一天能在河里找到传说中金碗的农民康大恒在争吵和交往中，安小河对康梅梅产生了不一样的情愫，父女多年的隔阂也冰释前嫌。

　　Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.