剧情纵览
结婚8年的夫人动员和美爱以及隔壁搬来。就职的想法都没有,百姓吃喝玩乐的选手,因此正在做动员的美爱在外面的压力,别的男人见面。这也是不知情的情况下动员美爱和ML,她是为了等待,只要下班。有一天享受和陌生男子的下班回家的美爱ML,坚韧不拔地要求动员,所以感到非常疲惫生气。志尹南在交往的男人。有一天她风流的男人。
结婚8年的夫人动员和美爱以及隔壁搬来。就职的想法都没有,百姓吃喝玩乐的选手,因此正在做动员的美爱在外面的压力,别的男人见面。这也是不知情的情况下动员美爱和ML,她是为了等待,只要下班。有一天享受和陌生男子的下班回家的美爱ML,坚韧不拔地要求动员,所以感到非常疲惫生气。志尹南在交往的男人。有一天她风流的男人。
影片以重复加碎片式的感官叙事手法,讲述了年迈且身患疾病的安东尼(安东尼·霍普金斯 Anthony Hopkins 饰)正在面临一项艰难的人生选择——是搬到养老院还是接受女儿寻找的新护工。在这个过程中,安东尼发现自己仿佛进入了一场奇怪的时空之旅,错乱的记忆和时间线交织出一段段匪夷所思的故事,而一个个陌生又熟悉的人也让他陷入迷茫。影片根据法国小说家兼剧作家佛罗莱恩·泽勒的舞台剧《父亲》改编。
一名娘娘腔小太监,华丽丽变身男子汉的嬉笑之旅! 大内丹药总管贾公公的助手、后宫人气王——太监小权,遇上了心上人,开始研究如何还原男儿之身,重拾男子气概!不料研究之路布满荆棘,小权在研究丹药的过程中,不小心撞破一场惊天大阴谋!后宫黑幕重重,为了能挽救无辜、和喜欢的人在一起,小权决定奋起反击,揭露黑暗!且看太监小权大显身手,在后宫掀起波澜!
이별을 죽는 것처럼 힘들어하던 나린은 남자친구 은찬과 한 달의 이별 유예기간까지 두어가며 이별을 받아들이려 하지 않는다. 하지만, 직장인 레코드 회사에서 ‘사랑의 역사’ 컴필레이션 앨범 제작이라는 새로운 프로젝트를 맡게 되면서 본의 아니게 ‘이별’에 대해 누구보다도 고민해 봐야 하는 입장에 처하게 된다. 그렇게 이별의 목적을 찾고자 했던 여정에서 나린이 마지막으로 마주한 것은 다름 아닌 처음 은찬과 만났을 때 빛나던 자신이었다. 다시 자신을 사랑할 수 있게 된 나린은 이별을 받아들이고 새롭게 출발할 용기를 갖게 된다 2019년 제15회 제천국제음악영화제 한국 음악영화의 오늘 - 장편
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.