性的魔鬼
This Thai flick is pretty funky in its’ production values and acting level – plays kind of like a high-school made video. The ‘plot’ involves the ‘ghost’ of a girl who was saved from a rape by a witch/ghost who then inhabits her body and wreaks vengeance on a series of unsuspecting guys by murdering them during sex (chomping off their privates!). A group of students makes a field-trip to the village where this mysterious carnage is occurring and gets sucked into the ‘horror’ and sex!
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剧情赏析
编辑推荐
地狱迪斯科
Soni Bringas,Stephen Ruffin,海伦妮·尤迪一对年轻夫妇准备烧毁洛杉矶最热门迪厅的舞池，结果召唤出一股渴望未出世婴儿的黑暗力量
未死之躯
Dujdao Duangpradab,Amy Siriya厌倦了逼仄脏乱的小公寓，正值青春年少的美丽女孩冰通过网络找到一所宽敞阔气且租金极为便宜的大房子，事不宜迟，她连忙致电屋主预约时间，并叫上同公寓好友妮娜随她一同看房。虽然妮娜对该房第一印象不佳，却无法改变冰的决定。不久之后，满心欢喜的冰搬入新居，谁知从第一天开始便有怪事在身边发生。在此之后，种种诡异事件交替发生，甚至冰的意识也受到侵袭。担心好友的安危，妮娜赶来冰的身边。 只是恐怖事件并未就此告一段落，仿佛被诅咒了一般，美丽女孩落入充满玄幻和恐怖气息的死亡陷阱之中……
太平洋战场
Jesse Richardson,Ellen Williams,Michael Thomson,James Storer,Leigh Walker,Darrell Plumridge,Samuel Peacock,Katie AndersonThat day is seared into the memory of every human being on the planet: the day the world changed. First came the attack on the Philippines. Within days they spread, as though appearing out of nowhere, striking out at more islands, forging a foothold in the South Pacific. Then came the first attack on U.S. soil - Los Angeles - and the reality became clear: our world was at war once again, but this time with an enemy from beyond our galaxy. Now, months later, the fate of the world hangs in the balance as a mission to strike at a key enemy installation deep in enemy territory goes terribly wrong, and the Marines of the 15th Expeditionary Unit are scattered across the island of New Britain, leaderless, and facing impossible odds. Pacific Theater is the story of those Marines: fresh recruits who journey from their homes across the Pacific to the front lines. It is the story of John Blake, a charming Californian surfer who must find the strength to become a leader, Tracey Gleeson, a physics...
全境灾变
伊芙·詹姆斯 Eve James,坎农·史密斯 Kannon Smith,莱琳·麦克 Lelyn Mac在一场死亡率不是1%，而是98%左右的疫情之后，艾莉离开了她的街区，到了一个新的城市，在那里她遇到了奎恩，一个对新世界有独特生存之道的人。
孤儿2025
Bojtorján Barabas,Andrea Waskovics,格莱高利·嘉德波瓦,马尔桑·恰尼克1956年匈牙利革命后，一个男孩从小被母亲灌输了关于已故父亲的理想化故事，却突然遇到一个粗野的男人，对方声称自己是他的亲生父亲。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.