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阿姆鲁姆
Jasper Billerbeck,劳拉·汤克,丽莎·哈格迈斯特,Kian Köppke,拉尔斯·耶森,德特勒夫·布克,马提亚斯·施维赫夫,黛安·克鲁格,德克·伯林,哈克·波姆,Tony Can,Rita Feldmeier,马克·哈洛夫,Morten Bo Heine,马克斯·霍普,Polli Leuner,Jorid Lukaczik,Bernd Moss,Florentine Panizza,Thomas Perkins洋基的骄傲
加里·库珀,特雷莎·怀特,贝比·鲁斯,沃尔特·布伦南,丹·德亚,埃尔莎·扬森,路德维希·施托塞尔,弗吉尼亚·吉尔摩,比尔·迪基,厄尼·亚当斯,皮埃尔·沃特金斯,哈利·哈维,鲍勃·穆塞尔,马克·凯尼格,比尔·斯特恩,艾迪生·理查兹,哈迪·奥尔布赖特,乔治·莱西草莓月亮
当真亚美,斋藤润,杉野遥亮,中条彩未,中山裕介,田中丽奈,池端杏慈,黑崎煌代,吉泽要人,伊藤健太郎,泉泽祐希,池津祥子,桥本润,黑岛结菜牙仙
道恩·强森,艾什莉·贾德,斯戴芬·莫昌特,瑞恩·谢克勒,塞思·麦克法兰,朱莉·安德鲁斯,切斯·埃利森,黛斯特妮·惠特洛克,布兰登·T·杰克逊,Dan Joffre,埃莉·哈维,巴克莱·霍普,迈克尔·登杰菲尔德,Dale Wolfe,Josh Emerson叶塞尼亚
杰奎琳·安德瑞,乔治·拉瓦特,艾尔玛·洛扎诺,胡安·加利亚,奥斯卡·莫雷利,Pilar Sen,伊莎贝拉·科罗娜,Claudia Martell,艾丽西亚·罗德里格斯,奥古斯托·贝内迪克,维克托·阿尔科塞尔,何塞·巴伐利亚,罗莎·弗曼,Maria Wagner,费尔南多·索莱尔貘之歌
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群鸟之地
卡卡琪,梅兰妮·斯科洛凡诺,凯丝琳·蒙露Sheila Hood is an ex-cop whose marriage is on the rocks. Rather than confronting her husband about an affair, she hides surveillance cameras in her home and watches his transgressions, becoming a voyeur of her own life. Her husband, Tom Kale, is an ornithologist who begins an affair with an ex-girlfriend, Merle James, whose beauty and fragility echoes that of the birds he studies. Ray Starling, the charismatic owner of a boutique hotel, is Merle’s lover, and has dealings with her father, Mr James, a powerful oil baron who operates in the shadows but whose influence touches the whole city. Merle’s younger sister, Hazel, is also drawn to Tom, but trapped in Starling’s web of power. Calvin is an cop whose loyalty to his ex partner, Hood, is tested when mounting evidence from her own surveillance tapes connects her and Tom to Starling’s murder, and perhaps even Merle’s mysterious death.
不能犯
松坂桃李,泽尻英龙华,新田真剑佑,安田显,间宫祥太朗,真野惠里菜,芦名星,矢田亚希子,菅谷哲也,冈崎纱绘,忍成修吾,水上剑星,水上京香,今野浩喜,堀田茜,小林稔侍《不能犯》改编自宫月新原著、神崎裕也作画的同名漫画，里面的主人公“电话亭之男”（松坂桃李）是一名类似于《死亡笔记》中夜神月的暗黑英雄，专杀那些本身有罪但没有受到法律惩戒的人。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
潇洒先生
郑则仕,关之琳,戚美珍,张国强,楼南光,柏安妮,焦姣,成奎安,陆剑明,曹建南,龙天生,刘锡贤,叶伟信,劳剑华,黄一飞,许英秀,刘玉婷,许思敏,陈颖芝 ,黄雄潇洒是一个船员，整天在海上漂泊，一去就是几个月，他的妈妈和小妹阿珍都很担心他。一天，潇洒回到家，妹妹非常惊喜，可是他的妈妈并不开心，觉得他没有出息。潇洒很是委屈，于是借酒消愁。阿珍和她的妈妈靠开小店为生，每天，早晨都有很多出租司机来照顾她们的生意，其中有一位司机阿光对阿珍有意思，经常来帮助她们。一天，政府通知他们，房子半年后要撤，但是他们一时又拿不出钱去买新的房子，为了筹钱，于是一家人在阿光的帮助……
渔民的故事
豪尔赫·A·希门尼斯,Alejandra Herrera,蕾内塔·瓦卡,安德雷斯·德尔加多,Perla Alejo,José Antonio Becerril,Myriam Bravo,Agustin Cornejo,安娜·迪亚斯,Maritza Estrada,Waldo Facco,Bibiana Godínez,梅赛德斯·埃尔南德斯,诺伊·埃尔南德斯,霍泽·梅兰德斯,Daniela Momo,Don Fulgencio Morales,Ruby Vizcarra传说很久以前，大自然在湖边和谐共生，直到邪恶降临。被黑暗欲望蒙蔽的人带来了恐惧、仇恨和死亡。渔民们称之为La Miringua，就是因为你的罪恶而把你拖到湖里的那个。