黎明前的两个夜晚

　　19世纪末的西班牙巴塞罗那，阿图尔·普拉特（塞尔吉·马特乌 Sergi Mateu 饰）经营着慈父望远镜行，他事业有成，家境富裕，但是爱女乔安娜（芭芭拉·格娜加 Bárbara Goenaga 饰）因出生时患有脑炎，因此自幼罹患了一种极为罕见的病症——失认症（agnosia）。这种病症让她在身体各个感官都健全的情况下，无法顺利地认知周遭的人与物。　　阿图尔长久以来都在努力寻找治好女儿的办法，而他所掌握的商业机密也都成为同行乃至合作伙伴急欲得到的珍宝。父亲临终之际，将商业机密托付给了乔安娜。与此同时，爱情与诱惑接连降临，而在这份看似浪漫的追求背后，利欲熏心的人们用无情卑鄙的手段伤害着无助的乔安娜……

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　一个神秘的废弃工厂开始第一天的拍摄。当载着女主角朱莎、副导演、《电影最前沿》节目主持人一梦等人的大巴车到达工厂时，拍摄场地却空无一人，陆主任让大家在工厂内待命，自己则出去给大家买宵夜，等待期间，副导演却离奇死在了浴室　　里...　　为了查清楚真相，一梦提议大家再去浴室看一看，而录音师多宝、女主角朱莎、司机女儿甜甜则留在服化间，从浴室回来　　之后，只见多宝，甜甜和朱莎却失踪了。 陆导迟迟未归、副导演的死，甜甜、朱莎的神秘失踪，带　　出了三年前在工厂拍摄时的灵异事件。一连串离奇的事情依然继续.....然而真相却让大家出乎意料。

　　虽然是三次面谈之旅，但我觉得三次否认叫Peter更合适；08,20-08,22FathomEvents,电影大概只有90分钟，后附30分钟interview分享一些信仰心得，恍然间有点以为看到了TheSunsetLimited(2011)的感觉，电影不合情理得把神实化（降临），但又很合乎情理的在分享Paul的见证，所以最后interview有个问题是为何上帝没有启示我，这个问题答案就是：先求他的国和他的义，然后你才能见证他的神迹。