我是处儿
当高度传染性的病毒杀死 99%的世界人口和幸存者变成性狂热的吸血鬼时，一个孤独的处女必须把他的力比多放在检查和活死人的诱惑。特色s情明星罗恩 杰里米的一个特殊的现象。
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尤·伯连纳,亨利·方达,德克·博加德,菲利普·努瓦雷,米歇尔·布凯,维尔娜·丽丝,盖·崔扬,埃尔加·安德森,玛丽·杜布瓦,娜塔丽·内瓦尔,安德烈·福尔肯,罗伯特·帕蒂,威廉·萨巴达,罗伯特·阿尔达,宝拉·皮塔格拉,路易吉·迪贝尔蒂,弗朗索瓦·麦斯特,赫伯特·福克斯,伊娃·玛丽亚·梅内克,法利·格兰杰未死之躯
Dujdao Duangpradab,Amy Siriya杀人漫画
严基俊,李施吟,金显祐,吴光禄食梦者
佐藤健,神木隆之介,小松菜奈,桐谷健太,新井浩文,皆川猿时,山田孝之,宫藤官九郎,中川雅也,染谷将太两张彩票
多里安·波古策,德拉戈什·布库尔,亚历山德鲁-维克多·内姆特亚努,诺拉·库普辛库,安迪·瓦斯卢亚努,尤安娜·弗洛伦蒂娜·迪米特流,米尔卡·巴努,伊莱亚斯·费金,艾丽莎·卡林,伊琳娜·诺阿特斯,亚历山德鲁·帕帕多波尔,谢尔班·帕夫卢漆黑如夜
Lukas Haas,凯文·杜兰同类推荐
300杀手
Johnny Andrews,Tierra Peterson,J.P. SimmonsIn the near future, drugs and crime have risen 500%. A disintegrating police force is unable to deal with this horrifying problem...
猛虎末路
劳伦斯·鲁波,大卫·舒特,塞巴斯蒂安·乌泽多夫斯基,安德烈·赫尼克,阿尔恩特·施韦林·索瑞,伦纳德·昆兹,Tilman Strauss,Yoran Leicher一辆德国虎式坦克的五名车组成员被派往战火纷飞的前线后方执行一项秘密任务。在德军亢奋药物的刺激下，他们的任务逐渐变成了一场深入黑暗之心的旅程。
猫小姐莫西
芭芭拉·萨拉菲安,Sarah Bannier,彼特·恩布雷希茨莫西小姐和她的猫朋友们看不起每个“与众不同”的人。有一天，她和她心爱的人类Joosje（8岁）和她的父母去了法国。女房东Rita非常想和她的狗Tuur一起赢得《动物达人秀》。她看到音乐剧《莫西小姐》，当家人需要回家时，她绑架了她。莫茜小姐逃跑了。在路上，她遇到了两个不太可能的旅行伙伴：Ayo，一只老燕子和Tuur。在他们的共同冒险中，莫西小姐意识到她的旧观点是错误的，她理解真正的友谊意味着什么。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
噬血芭蕾
阿丽莎·威尔,梅丽莎·巴雷拉,丹·史蒂文斯,凯瑟琳·纽顿,凯文·杜兰,吉安卡罗·埃斯波西托,安格斯·克劳德,威廉·卡特列特,马修·古迪据DL报道，Radio Silence团队将执导环球影业未定名怪物电影。 Radio Silence是马特·贝蒂内利-奥尔平、泰勒·吉列特、贾斯汀·马汀内斯（已单飞）和查德·维拉利亚四人于2011年成立的一个电影人组合，曾执导或部分参与制作的作品有《致命录像带》系列、《恶魔预产期》、《一路向南》、《爆血新婚夜》、《惊声尖叫5》、《惊声尖叫6》等，主打惊悚题材。 该项目将类似之前的新版《隐形人》和即将上映的《伦费尔德》，是对环球旗下经典怪物角色进行全新诠释的惊悚类作品。 环球对预算、分级和影片具体类型没有任何限制（no restrictions on budget, rating or genre），它们不是任何“电影宇宙”的一部分，每部电影都能够独立存在、发挥创意。整个方向强调作者驱动，环球欢迎任何有原创性、有才华、敢于尝试的创新型电影创作人为旗下的角色开发故事。