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伊桑·霍克,艾玛·沃森,大卫·休里斯,戴文·博斯蒂克,戴尔·迪奇,艾伦·阿什莫,亚当·布切,大卫·丹席克,阿隆·艾布拉姆斯,罗泰尔·布鲁特,彼得·麦克内尔恶魔们
张东润,吴代焕,崔奎华,张宰昊,孙钟学,申承焕,尹炳熙奥利维娅与云
Olga Valdez,Héctor Aníbal,Elsa Núñez,Dominique Goris,Fery Cordero皮附
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郑冀峰,曾志伟,殷若曦,贾冰,张驰,毛毛,田启文,赵志凌,张美娥,张大礼,王思琪十二个想死的孩子
杉咲花,新田真剑佑,北村匠海,高杉真宙,黑岛结菜,桥本环奈,吉川爱,萩原利久,渕野右登,坂东龙汰,古川琴音,竹内爱纱同类精选
太平洋战场
Jesse Richardson,Ellen Williams,Michael Thomson,James Storer,Leigh Walker,Darrell Plumridge,Samuel Peacock,Katie Anderson美食总动员
帕顿·奥斯瓦尔特,伊安·霍姆,卢·罗曼诺,布莱恩·丹内利,彼得·孙,彼得·奥图尔,布拉德·加内特,詹妮安·加罗法洛,威尔·阿奈特,詹姆斯·瑞马尔,约翰·拉森贝格,泰迪·牛顿,托尼·弗希勒,杰克·斯坦菲尔德,布拉德·伯德,林赛·柯林斯,布拉德·刘易斯,洛丽·理查德森,迈克·吉亚奇诺怪形
库尔特·拉塞尔,威尔福德·布利姆雷,TK·卡特,大卫·科列侬,凯斯·大卫,理查德·戴萨特,查尔斯·哈拉汉,Peter Maloney,理查德·马苏尔,唐纳德·莫法特,乔尔·波利斯,托马斯沃特斯,诺伯特·魏塞尔,拉瑞·弗兰科,纳特·欧文,阿德里安娜·巴比欧,约翰·卡朋特,杰德未来学大会
罗宾·怀特,哈威·凯特尔,乔恩·哈姆,保罗·吉亚玛提,柯蒂·斯密特-麦菲,丹尼·赫斯顿,萨米·盖尔,迈克尔·斯塔尔-大卫,迈克尔·兰德斯,莎拉·夏希,埃德·科尔宾,克里斯托弗·B·邓肯,埃文费兰特,弗兰西丝·费舍假日旅馆
平·克劳斯贝,弗雷德·阿斯泰尔,玛乔丽·雷诺兹,弗吉尼亚·戴尔,沃尔特·艾贝尔,路易丝·比弗斯,欧文·培根空心大少爷
陈勋奇,叶倩文,午马影视排行
未来之心
乔新峰,曹艳,张恩硕,张德晖,宫苏纹余书(乔新峰饰演)与梁澜(曹燕饰演)夫妇研发了革命性AI“超心智脑”，旨在复原古生物生态。因儿子(张恩硕饰演)重病急需资金，二人分道扬镳：梁澜与投资人何叔(张德晖饰演)合作，将AI用于建造赛博机械乐园；余书则携子离开，坚信技术不应沦为娱乐工具。多年后为救子，余书登岛交出原始代码。不料程序遭窃，机械巨兽失控暴走。危机关头，何叔牺牲自我换取生机，余书夫妇最终联手重启初代代码，关闭系统，阻止灾难。离岛后，他们发现何叔留下的代码备份与医疗资源。儿子康复后，将这段经历写成小说《未来之心》，见证科技、人性与爱的交织。
华氏247
丝柯·泰勒-考普顿,克里斯蒂娜·乌洛亚,特拉维斯·范·文克,迈克尔·科彭,泰勒·梅恩,Rene Etore,托尼克·戈格里基亚尼,Jeremy Inabnit,Igor Lukin,Ibrahim Idowu,Michael Zaalishvili,Michael Andrew,Beso Natsvlishvili,George Dugashvili,Mamuka Mazavrishvili II晴朗的一天，三年前痛失男友的珍娜（丝柯·泰勒-考普顿 Scout Taylor-Compton 饰）与好友瑞妮（克里斯蒂娜·尤罗尔 Christina Ulloa 饰）、迈克（迈克尔·科彭 Michael Copon 饰）以及新结识的帅气青年伊安（特拉维斯·范·文克 Travis Van Winkle 饰）前往某个乡村，参加当地举行的五月节。湖畔小屋，笑语欢歌，青年男女们纵情欢乐，只有珍娜强颜欢笑，似乎久久无法从三年前的惨剧中走出。随着夜幕降临，四人走入桑拿室，体会无上的蒸汽享受，而危机也正一步步向他们迫近。在此期间，迈克和瑞妮突然爆发争吵，前者夺门而出，大发雷霆，而瑞妮和珍娜、伊安稍后却发现，他们三人却被意外锁在桑拿室中。 温度逐渐升高，而死神的脚步越来越近……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
愉快动物饼干电影版
松田元太,水上恒司,高石明里,藤森慎吾,苍井翔太,小泽亚李,水濑祈,东山奈央,立木文彦,间宫胡桃本片以1978年开始发售就一直受到喜爱的点心“愉快动物饼干”为基础制作，讲述了以狮子为首，大象、河马、猴子、小兔、小猫、长颈鹿、鳄鱼、小鸡，以及新角色天马行空又哭又笑的故事，描写了只有“可爱”这一优点的他们，为了拯救世界灭亡的危机而奋斗的模样。