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剧情简介
2016年度韩国限制级电影
同类好片
一一
吴念真,李凯莉,金燕玲,张洋洋,萧淑慎,尾形一成,陈希圣,林孟瑾,陈以文,柯宇纶,张育邦,柯素云,唐如韫,徐淑媛,曾心怡,陶传正没问题2021
梁龙,徐洁儿,范帅琦,贾天明,王宏伟,迟志强,邹德江,丁鹤,黄靖芯,谢昀杉,大兵最佳女婿
张学友,周星驰,莫少聪,张敏,吴耀汉,沈殿霞,梁荣忠,胡枫,廖启智,郑欣宜铁板烧
许冠文,叶倩文,叶丽仪,卢海鹏,车保罗,许英秀,黎小田,李燕萍,刘允,黄文慧怒袭
安志杰,伍允龙,洪浚嘉,克拉雅,张建声,何慈茵,王东,朱云儿,易宇航世界的主人
徐粹彬,张慧珍,金郑植,姜彩允,李宰锡,朴知玧,金艺昶,高旻示,白贤珠,卞重熙,文惠仁,郑恩京,李尚熙,李代延,金锡勋,林在赫人气佳作
英雄百夜
艾玛·科林,麦卡·梦露,尼古拉斯·加利齐纳,埃米尔·艾尔-马斯里,查莉XCX,理查德·E·格兰特,菲丽希缇·琼斯,瓦拉达·塞图,克里斯托弗·法里班克,马凯拉·卡维纳赫,汤姆·斯托顿,克莱尔·珀金斯,乔什·柯德雷,萨菲亚·奥克利-格林,毕扬·丹斯曼,杰夫·米尔扎,Olivia D'Lima,乔丹·库尔森,迈尔斯·基奥治,科里·彼得森阴谋:作家之死
本·金斯利,图娃·诺沃妮,维罗尼卡·费瑞尔,迈克尔·伯恩,伊沃娜·库斯图迪奇,埃里克·约翰生,本诺·菲尔曼,桑德拉·迪金森,艾德克拉克库珀,伊丽莎白·康塞尔,杰森·雷丁顿,安娜玛丽亚·塞尔达,Gordan Kicic,格雷戈·洛基特,安格斯·肯尼迪,佩塔尔·西里卡鲸
布兰登·费舍,萨迪·辛克,周洪,泰·辛普金斯,萨曼莎·莫顿,实谛·史达仁,杰西·辛克外星博士
导演精选
狄仁杰之彼岸奇花
狄武周天授元年,岭南潞州城司马孔成业迷恋修道炼丹,传闻找到了长生不老丹的药方,只缺一味名叫彼岸花的奇草。传言这是来自地狱的死亡之花,常年生长在坟冢幽谷之中,能致人产生幻觉,中幻觉者如妖邪附体般,发狂发癫,死状凄惨。 孔成业发出悬赏,采到彼岸花者,赏百金。山民猎户等纷纷进山寻找,连孔成业也带人到处扒坟冢、探幽谷。忙活的孔成业突然惨死,死前发狂。连他的几名参军也死相极惨,都说孔成业采到了彼岸花,被妖邪附身杀死,闹得满城风雨。潞州刺史陆英杰上报朝廷,恰逢狄仁杰巡查岭南诸州,女皇武则天命其前往潞州,全权调查此案.。
银瀑2:重现
Several years after a deadly struggle with her serial killer aunt, Jordan works to escape her troubled history. But when her aunt's revenge-seeking specter surfaces to join forces with a deranged convict, Jordan must return to the haunted town of Silver Falls for a final showdown with the ghosts of her past.
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.