带翅膀的猪

⭐ 7.5 播放：45万 2026-04-26

主演：Franco Bianchi Susanna Javicoli 洛乌·卡斯特尔

Roma,暂无内容anni暂无内容'70.暂无内容Rocco暂无内容e暂无内容Antonia,暂无内容liceali,暂无内容si暂无内容incontrano暂无内容durante暂无内容una暂无内容manifestazione暂无内容politica暂无内容organizzata暂无内容da暂无内容gruppi暂无内容extraparlamentari.暂无内容I暂无内容due暂无内容giovani暂无内容hanno暂无内容in暂无内容comune暂无内容l'età,暂无内容le暂无内容idee暂无内容politiche,暂无内容l'insoddisfazione暂无内容verso暂无内容i暂无内容propri暂无内容genitori.暂无内容Oltretutto,暂无内容frequentandosi,暂无内容si暂无内容accorgono暂无内容di暂无内容essersi暂无内容innamorati.暂无内容É暂无内容la暂无内容scoperta暂无内容del暂无内容sesso暂无内容e暂无内容della暂无内容passione.暂无内容Dopo暂无内容un暂无内容po'暂无内容di暂无内容tempo,暂无内容però,暂无内容il暂无内容loro暂无内容rappor...

在线观看

▶ 播放带翅膀的猪

剧情提要

暗夜精选

神秘科学影院3000

脆弱的男人

亚辛·侯伊卡,欧莱雅·阿玛拉,拉斐尔·奎纳德,Bilel Chegrani,迪翁-克巴·塔库,蒂法因·戴维斯,霍莉·法特玛,吉列尔莫·吉兹,萨米拉·塞迪拉,Olivier Soula,Marion Guerrero,Tigrane Avedikian,Juliette Cardinski,Thomas Bricmont,Roméo De Lacour,Marvin Pellegrino,艾玛·贝内斯坦,Aurélien Marra,塔萨迪特·曼迪,Atmen Kelif

同系列推荐

赤脚大仙

彭禺厶,许媛媛,林昊然

格斗家

周小伟

钢铁少女：决战

明日花绮罗,青柳尊哉,龍坐,ハヤテ,春田纯一

吸血猎手

科里·费尔德曼,马尔科姆·麦克道威尔,鲁格·豪尔,布鲁斯·戴维森,迪恩·S·贾格尔,Richard Wagner,费尔南达·罗梅罗,Patrick Brennan,Chris Pardal,托马斯·琼斯,Lovake Heyer,金贝里·皮特森,Elizabeth Greer,霍莉·林奇,考特尼·盖恩斯,萨姆·鲁克,Clementine Heath, 金佰利·道格尔迪,Shafik N. Bahou

驱魔龙族马小玲

黄宗泽,吴千语,蔡洁,吕良伟,刘心悠,廖子妤,黄文慧,朱栢康,吴启洋,黄梓乐,万绮雯,苏丽珊,郭柏妍

鬼们之蝴蝶大厦

尹馨,曹佑宁,冯淬帆,白润音,蔡振南,庄凯勋,安心亚,曾莞婷

幕后花絮

午夜微博

　　夜深人静，荒郊野岭。几名青年男女去永宁县某废弃工厂探险，并全程微博直播。他们为自己的无知和胆大妄为付出巨大代价，最终一死一疯，另外两人昏迷不醒，还有一人下落不明。美丽女记者萧薇（邓紫衣饰）的妹妹霈霈及其朋友子妍正是这场意外的受害者，从医生口中得知，妹妹她们出事前一定受到常人难以想象的惊吓。萧薇的搭档阿康（唐禹哲饰）调查后发现，霈霈她们前几日都曾被某神秘微博帐户@，之后在她们微博中便各自出现一个倒计时的画面，而业已归零的正是当前的死者子妍。　　绝不相信鬼神传说的萧薇，决定亲自涉足永宁工厂一探究竟。伴随萧薇和阿康的追查，恐怖真相慢慢浮出水面……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.