剧情纵览
一名目中无人的少女被送到一所严格的女子学校,以“纠正她的错误”,但她在引诱教职员工和学生时与严厉的女校长发生冲突。
一名目中无人的少女被送到一所严格的女子学校,以“纠正她的错误”,但她在引诱教职员工和学生时与严厉的女校长发生冲突。
科学家们在一个小镇的供水系统中下毒,把居民变成杀人狂魔,他们互相残杀,任何人都能通过。
这是一种名叫康普茶的饮料,它可以改变人的思维,使员工工作到死。
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
所谓的无船员的船携带咖啡驶入纽约,但是当警察和一些科学家在船上发现了船员可怕的尸体和大量的盒子装满绿色虫蛋。爆炸的时候蛋温度升高和任何人谁接触的物质都会爆炸。现在政府介入和幸存的军官,一名上校和一名宇航员发现这些蛋可能与灾难性的火星任务有关。