不忠

9.5 播放：07万 2026-04-30

运动喜剧

主演：李美淑全光烈

一晃眼，哲洙（全光烈饰）和英姬（李美淑饰）结婚已经有十年之久了。这十年里，虽然每一天都在重复着昨天的宁静和祥和，但哲洙和英姬深爱着彼此，两人都感到十分幸福。然而，某一日，厄运降临到了这个家庭之中，哲洙丢掉了工作，更糟的是，他还代替朋友背负上了巨额的欠款，根本无力偿还。为了守护妻子和孩子，哲洙做出了不得已的选择。那边厢，接二连三的噩耗彻底粉碎了英姬对于未来的幻想，她几乎失去了一切，可唯一没有改变的，便是她对丈夫的爱。一次偶然中，英姬和曾经自己的追求者韩志勋（朝明求饰）重逢了，后者此时已经成为了一个小有名气的企业家。韩志勋的出现让英姬看到了一丝希望，而为了守护家庭，她首先要做的竟然是背叛婚姻。

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妮可·基德曼,山姆·尼尔,比利·赞恩

　　海军军官约翰·英格拉姆（萨姆·尼尔 Sam Neill 饰）和妻子蕾（妮可·基德曼 Nicole Kidman 饰）原本拥有一个幸福的家庭，但一场灾难摧毁了一切。在前往车站接丈夫的途中，蕾驾驶的汽车与他车相撞，坐在后座的幼子丹尼（Joshua Tilden 饰）因而丧生，这令夫妇俩陷入巨大的悲痛之中。为了弥合心灵的伤痛，约翰带着蕾乘游艇前往海上度假。某日，英格拉姆夫妇搭救了声称原本计划横渡太平洋却遇难的男子休吉·瓦伦纳（比利·赞恩 Billy Zane 饰）。本是善意之举，却无意中将夫妇带入另一场灾难之中……　　本片荣获1989年澳大利亚电影学院最佳摄影、最佳剪辑、最佳音效和最佳配乐四项大奖。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.