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香烟和热巧克力
古斯塔弗·科文,卡米尔·科坦,Héloïse Dugas,芬妮·贾尼尼即将失去抚养权的父亲,逼不得已成为模范父亲,用“坏”的方式教育女儿,笨拙又无条件。从不正常的家庭应对现代生活的反映,上升到了社会议题。有别于传统的法国喜剧。。。。
警长索恩:贪睡鬼
大卫·莫瑞瑟,艾丹·吉伦一起连环凶杀案吸引了警长索恩(大卫·莫瑞瑟 David Morrissey 饰)的注意,这位穷凶极恶的凶手手中已经有了三条人命,然而,第四名受害者却侥幸逃过一死。警方和民众都认为这是凶手的百密一疏造就的结果。然而,可怕的是,没过多久,索恩就发现,犯错的不是凶手,而恰恰是自己,因为尽管保住了一命,但这位幸存者却无法提供任何情报。 几起在同一时间、使用同一手法在两个不同地点作案的谋杀案让警长索恩十分警觉,随着时间的推移,迷雾渐渐拨开,他发现,自己所要面对的并非仅仅一名嗜血残暴的杀人魔王,而是两个在暗地里相互勾结、相互鼓励的反社会分子。
诅咒:纳扎尔
Alp Aras,Elçin Atamgüç,Melike Balçik
幸存者1999
格雷格·艾维甘,瑞秋·克劳福德,克劳迪亚·米歇尔森,大卫·休莱特,Diego Matamoros,克雷·班奈特,Gene Mack,劳伦斯·贝恩《幸存者》讲述了十亿年前,外星异种来地球,进行各种生物培育,因为地壳运动剧烈,被火山岩浆淹埋。荒凉的北极科学探测站内,正欢呼石油的到来,钻台无故断电、矿井喷出神秘的胶体、员工被大卸八块……顿时失去控制,当站长亚当、凯特等反应过来,并组织起武装防卫时,95%的人们成了无辜冤魂,血肉模糊、脑髓迸射;不可抗力的人类浩劫就此爆发,从北极向全球疯狂蔓延……
九龙大众浪漫真人版
吉冈里帆,水上恒司,龙星凉,柳俊太郎,梅泽美波,花濑琴音 ,フィガロ・ツェン,山中崇,サヘル・ローズ,关口曼迪,岛田久作本片改编自同名漫画,讲述了在充满怀旧气息的街道·九龙的不动产公司工作的鲸井令子和她心仪的职场前辈·工藤发之间交织而成的悬疑爱情罗曼史。故事由令子偶然发现一张照片,得知工藤过去有个和自己长得一模一样的未婚妻开始...
公寓2024
斯文·索奇塔,细田善彦,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.