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剧情提要
滝藤が演じたのは、心優しいドラァグクイーンのバージン。劇中では、大切な友人・なっちゃんの死をきっかけに集まったバージンたち3人のドラァグクイーンが、なっちゃんが“オネエ”であることを知らない家族のため、普通のおじさんとして葬式に参列するまでが描かれる。
暗夜精选
复仇1978
塞尔玖·尼古拉耶斯库,J·迪尼克,J·康斯坦丁清算
高捷,姜皓文,侯桐江,湛佳明 Jiaming Zhan,张荣祥 Cheung Wing-Cheung,屈刚,张媛钰,贾天明,景乐,韩则怡 Zeyi Han,武岳 Yue Wu,张怀公,洪子龙 Zilong Hong,刘浩岚 Haolan Liu,刘开心 Kaixin Liu左拉传
保罗·穆尼,盖尔·桑德加德,约瑟夫·希尔德克劳特,格洛丽亚·霍顿,唐纳德·克里斯普走火交易
恩佐·科伦蒂,萨姆·赖利,迈克尔·史麦利,布丽·拉尔森,基里安·墨菲,艾米·汉莫,沙尔托·科普雷,巴布·塞赛,诺亚·泰勒,杰克·莱诺,马克·蒙迪欧,帕特里克·博金,萨拉·德,汤姆·戴维斯AUNTY当网红
挑战未来2：星云
Sue Price,查德·斯塔赫斯基,Sharon Bruneau河东狮吼
张柏芝,古天乐,范冰冰,黄伟文,许绍雄,张锦程,黄浩然,毛坚同系列推荐
连环扣
马纳夫·卡尔,薇迪亚·巴兰,莎法莉·什提,罗希尼·翰塔伽蒂,Sofiya Khan,Vidhatri Bandi,Iqbal Khan,阿巴斯·达拉勒,Mangesh Desai,Gurpal Singh,朱奈德·汗,Vijay Nikam,Ghanshyam Lalsa,Surya Kasibhatla,Shrikant Yadav汽车旅馆人生
Emile Hirsch,达科塔·范宁再见了假面骑士电王
桜田通,佐藤健,中村優一,神田沙也加,秋山莉奈,松本若菜,松元環季,石丸謙二郎,松村雄基百年好合
郑秀文,古天乐,李冰冰,林雪,韩君婷,张锦程,夏雨,颜颖思告别武器
海伦·海丝,加里·库珀,阿道夫·门吉欧,玛丽·菲利普斯,杰克·拉鲁,布朗什·弗雷德里克,玛丽·福布斯,吉尔伯特·埃默里,爱丽斯· 亚岱尔,亨利·阿尔梅塔,赫尔曼·宾 ,Agostino Borgato,Robert Cauterio,玛塞勒·科尔代,基诺·科拉多,George Humbert,威廉·欧文,多丽丝·劳埃德,弗雷德·马拉泰斯塔,保罗·波尔卡西,Tom Ricketts,Frederick Sullivan老兄救命
普拉迪普·兰加纳坦,Mamitha Baiju,R. Sarathkumar,罗希尼,赫里杜·哈龙,Dravid Selvam幕后花絮
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
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