即刻观影
剧情赏析
编辑推荐
北逃
索利曼·克鲁兹,Niko Becker,巴特·金戈纳,Alexandre Nguyen,Olivier Ho Hio Hen,Dimitar Vasilev,Noel Sto. Domingo,Olivier Chen,Baldo Gueye,Mahamat Amine Benrachid,Stefan CojocaruBased on a true story. 1996, open sea. During his shift on a transatlantic ship’s deck, Joel, a religious Filipino sailor, discovers Dumitru, a Romanian stowaway hidden between some containers. If he is spotted by the Taiwanese officers running the vessel, Dumitru is at risk to be thrown overboard. Joel decides to hide him, as a sign of his gratitude towards God. Soon, a dangerous cat and mouse game begins. When his crew, his own friends, even God itself start to turn their backs on him, Joel learns that he has to face his cruel destiny alone.
致命录像带99
杰西·拉图雷特,Keanush Tafreshi,Dashiell Derrickson,杰克森·凯利,泰比·迪斯金,维罗娜·布鲁,阿米娜·涅韦斯,凯利·米萨尔,Melissa Macedo,艾丽·艾恩奈兹,Isabelle Hahn,Breana Raquel,Caitlin Serros,Brittany Gandy,Logan Riley,Maurice Webster,史蒂文·奥格,Jerry Boyd,索妮雅·艾迪,Amelia Ann设定在1999年，以伪纪录片形式，聚焦那些看似普通、欢乐的家庭录像带中发现的可怕事件和“鬼影”。
玛德琳的玛德琳
海伦娜·霍华德,米兰达·裘丽,莫莉·帕克,奥奎·奥克波克瓦西里,苏妮特·玛尼,费利佩·博尼拉,丽莎·萨尔斯,寇蒂斯·库克,雷纳尔多·皮涅拉,迈拉·卢克利希亚·泰勒,茱莉·塞尔达,达娜·埃斯科尔森,苏泽特·古恩,迈克·霍奇,亚历山德拉·塔塔尔斯基《玛德琳的玛德琳》是美国女导演约瑟芬·戴克最新的一部作品。这部电影讲述了一个戏剧导演，在创作她最近的作品时所产生的故事。这也是约瑟芬·戴克的第14部作品。作品中的角色和她本人颇为相似，同样作为导演的她，也是一名演员。戴克以往的作品，总是带着一定程度上的形式化的美感，也显露着女性特有的细腻。在她的作品中，镜头更像是一双可以无限接近角色人物的眼睛，时刻捕捉着主观视角下的人物的行动和当时的情内心状态。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
恶魔的破坏 后篇
几田莉拉,志水彩乃,种崎敦美,岛袋美由利,大木咲绘子,和气杏未,白石凉子,入野自由,内山昂辉,坂泰斗,诹访部顺一,津田健次郎三年前的8月31日，“侵略者”巨大的母舰突如其来地降临在东京，眼看这个世界即将迎来末日。 自此之后，绝望渐渐地融入了日常生活；大大的飞碟盘旋于空中，今天也依然不变地持续环绕着世界。而在还没有来到世界末日的此刻，小山门出、中川凰兰这两个高中女生的青春时代才正要展开。
阿姆鲁姆
Jasper Billerbeck,劳拉·汤克,丽莎·哈格迈斯特,Kian Köppke,拉尔斯·耶森,德特勒夫·布克,马提亚斯·施维赫夫,黛安·克鲁格,德克·伯林,哈克·波姆,Tony Can,Rita Feldmeier,马克·哈洛夫,Morten Bo Heine,马克斯·霍普,Polli Leuner,Jorid Lukaczik,Bernd Moss,Florentine Panizza,Thomas Perkins这部历史剧以1945年春季二战尾声为背景，聚焦十岁少年南宁。其父远征战场，少年竭尽所能助母养家：猎捕海豹、暗夜捕鱼、躬耕田间。然而期盼已久的和平降临后，却催生全新冲突，南宁必须在废墟之上探寻属于自己的人生航向。