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剧情简介
1，费拿拉小镇，工程师斯瓦诺（Kim暂无内容Rossi暂无内容Stuart暂无内容饰）邂逅了女教师卡门（Inés暂无内容Sastre暂无内容饰），他们一见钟情，卡门却拒绝了斯瓦诺的吻。当他们三年后再次相遇时，斯瓦诺则在肉欲面前止步；
同类好片
魔力，魔力
艾米莉·布朗宁,迈克尔·塞拉,朱诺·坦普尔,卡塔琳娜·桑地诺·莫雷诺,阿古斯丁·席尔瓦黑暗中的救赎
果靖霖,任泉,刘敏涛,郝平,孙一理美食总动员
帕顿·奥斯瓦尔特,伊安·霍姆,卢·罗曼诺,布莱恩·丹内利,彼得·孙,彼得·奥图尔,布拉德·加内特,詹妮安·加罗法洛,威尔·阿奈特,詹姆斯·瑞马尔,约翰·拉森贝格,泰迪·牛顿,托尼·弗希勒,杰克·斯坦菲尔德,布拉德·伯德,林赛·柯林斯,布拉德·刘易斯,洛丽·理查德森,迈克·吉亚奇诺鬼悚历险3D
阿玛雅·萨拉曼卡,马克西·伊格莱西亚斯,Lucho Fernandez后来的我们韩版
具教焕,文佳煐,姜末琴异形怪胎 2
Michele Greene,Robin Curtis,Scott Valentine人气佳作
导演精选
铁板烧
阿黄（许冠文 饰）是一名料理师，个性有些轻浮又十分爱现，但实际上，他是个名副其实的“妻管严”。阿黄和爷爷（许英秀 饰）一起住在岳父（卢海鹏 饰）家中，岳父性格武断又强势，生活中阿黄免不了要受气，日积月累下来，阿黄的心中积蓄了许多不满。 某日，一位名为施施（叶倩文 饰）的美丽女子出现在了阿黄的面前，她正是阿黄的梦中情人。让阿黄没有想到的是，施施竟然对自己一往情深，还邀请他去菲律宾度假，这样的好机会阿黄怎么能够放过，两人遂即动身。阿黄的妻子（邹美仪 饰）和好友雪莉（叶丽仪 饰）得知此事，遂和父亲一起，对阿黄展开了“追捕”。
茱莉娅的眼睛
朱莉娅和莎拉（Belen Rueda 分饰）是一对孪生姐妹，这对美丽的姐妹花正当盛年时却罹患功能退化症。1年前，莎拉的双目完全失明，而朱莉娅的视力也在渐渐减退。某个晦暗之夜，莎拉上吊自杀。冥冥中自有感应，朱莉娅心中备感不安，次日她和丈夫艾萨克（Lluis Homar 饰）驱车赶往妹妹的住所，等待他们的恰是难以置信的噩耗。然而种种迹象表明，莎拉似乎并非自杀身亡，她生前的最后一段时光仿佛有一个神秘的男子作陪。 朱莉娅尝试着追寻这些蛛丝马迹，她的举止令艾萨克甚为焦躁不安，而种种恐慌也让她的视力加速衰退。在黑暗即将降临的时刻，朱莉娅也隐约感知到一个来去无踪的男子时刻逡巡在自己的身旁……
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster