情迷维纳斯 Delta of Venus

⭐ 8.1 播放:65万 2026-04-27

故事发生在1939年的巴黎,女作家伊丽娜(奥黛·英格兰 Audie England 饰)正和著名作家劳伦斯(科斯塔斯·曼迪勒 Costas Mandylor 饰)打得火热,而就在这浓情蜜意的时刻,伊丽娜震惊的发现劳伦斯居然背着她四处沾花惹草,心高气傲的伊丽娜果断的选择了离开。 动荡的政局带来的是生活的困苦和拮据,在出版业极不景气的情况下,入不敷出的伊丽娜只得做起了人体模特的职业以此谋生,虽然经济状况因此有所好转,但整体情况依然不容乐观。就在此时,伊丽娜的经纪人告诉她,有一个神秘的顾客想要出高价购买她的作品,但题材必须和情欲有关。为了生存,对此题材毫无经验的伊丽娜做出了决定,毅然踏上了探索灵与肉的道路。

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剧情提要

故事发生在1939年的巴黎,女作家伊丽娜(奥黛·英格兰 Audie England 饰)正和著名作家劳伦斯(科斯塔斯·曼迪勒 Costas Mandylor 饰)打得火热,而就在这浓情蜜意的时刻,伊丽娜震惊的发现劳伦斯居然背着她四处沾花惹草,心高气傲的伊丽娜果断的选择了离开。 动荡的政局带来的是生活的困苦和拮据,在出版业极不景气的情况下,入不敷出的伊丽娜只得做起了人体模特的职业以此谋生,虽然经济状况因此有所好转,但整体情况依然不容乐观。就在此时,伊丽娜的经纪人告诉她,有一个神秘的顾客想要出高价购买她的作品,但题材必须和情欲有关。为了生存,对此题材毫无经验的伊丽娜做出了决定,毅然踏上了探索灵与肉的道路。

幕后花絮

与祖国同在

 故事发生在一艘名为“托林号”的英国皇家海军驱逐舰上,在一场激烈的海战中,该驱逐舰击落了多驾敌机,创下了赫赫战功,但它也因为拼搏在战斗的第一线而伤痕累累,最终中弹起火。在舰长金洛斯(诺埃尔·考沃德 Noel Coward 饰)的要求之下,船员们放弃了托林号,塔上了救生艇,其中包括军士长沃尔特哈迪(伯纳德·迈尔斯 Bernard Miles 饰)和新兵肖蒂(约翰·米尔斯 John Mills 饰)等人。一行人在海上艰难漂泊,全凭意志和对家人的思念才勉强幸存,最终被一艘英国军舰救起,获救之时,刚开始浩浩荡荡的240名官兵,仅剩下19人。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster